Plot[ edit ] During a high school basketball game, Odin James Mekhi Phifer scores the basket that wins the game for his team. At the celebration party, Hugo engineers a fight between Roger and a very drunk Michael, who is temporarily suspended from the team. Hugo tells Michael to ingratiate himself with Desi so that she will talk to Odin on his behalf. Soon afterward, Hugo tells Odin that Michael and Desi have been spending a lot of time together, and that she may be cheating on him.
Admission for the Film, Literature, and Visual Culture Program Applicants to this certificate program must hold a graduate degree from an accredited U. A competitive graduate record that indicates strong academic ability is required, though applicants need not have extensive experience in literary studies.
A list of admission requirements can be found on our Film, Literature, and Visual Culture Admission page.
For the most up-to-date information on financial obligations, please visit our Film, Literature, and Visual Culture Tuition page.
|GIFLIF | The Great Indian Film and Literature Festival||Film adaptation Works of literature have been adapted for film from the dawn of the industry. Inhe released two adaptations — Cinderella based on the Brothers Grimm story of the same name and King Johnthe first known film to be based on the works of Shakespeare.|
Film, Literature, and Visual Culture Registration Information Our Film, Literature, and Visual Culture Registration Information page outlines important dates and deadlines as well as the process for adding and dropping courses.
Gainful Employment in Film, Literature, and Visual Culture Common questions and answers related to cost, financing and success in this certificate program are found on our Gainful Employment in Film, Literature, and Visual Culture page.
Additional Information This post-graduate certificate in film, literature, and visual culture may be especially beneficial to educators, students who Film and literature thinking of going on to a PhD program, or anyone who wants to focus their literary study more precisely.
Students complete four thematically linked courses for a specialization. Provide students with countless opportunities to engage with others who are passionate to rediscover and master classic texts while exploring exciting, contemporary works, diverse genres and cutting-edge ideas in narrative form and interpretation.
Engage students in advanced literary study, which improves critical assessment and problem solving skills which translate to work, personal and intellectual life.
Sharpen analytical and writing abilities, which can help prepare students for application to PhD programs. Applicants must possess a graduate degree in order to be considered for this program.
Find out more about Northwestern's Film, Literature, and Visual Culture Program Film, Literature, and Visual Culture Course Options To complete this certificate, students may take any four courses available in the topic area which may include courses available through The Graduate School.
To satisfy the four units of credit required for the certificate, students also have the option to register for the following: An independent study, which is a customized course of study undertaken by a single student under the guidance of an instructor.
Denoted by the course number,independent studies are comparable in their demands to other graduate-level courses. A capstone project, which is an essay of 45 to 75 double-spaced pages written under the supervision of an approved faculty member. The project presents an opportunity to research and explore a topic thoroughly.
Students often elect to expand a seminar paper from a previous course. Students who wish to pursue a capstone project must do so as their fourth and final course in the certificate program. Students who did not previously study literature at the graduate level are strongly encouraged to take LIT Introduction to Graduate Study.
This course introduces current issues in literary and cultural studies and provides access to some of the approaches and techniques for the study of literature at the graduate level. Please note that courses completed in the certificate program cannot be transferred to the corresponding graduate degree.
Course Detail Introduction to Digital Studies How do we better understand the conjuncture of digital technologies and the humanities?
What kinds of thinking, research, teaching, politics, and cultural analysis can the digital enhance? How, in turn, do the fields that constitute the humanities history, literary and language studies, philosophy, art history, musicology, cultural anthropology, media studies, etc.
This course introduces students to the emerging field of critical digital studies, which looks at the intersection of digital technology and the humanities. Through a blending of weekly online engagements and three, Saturday afternoon face-to-face seminars, we address topics such as: How can we address humanities questions today through new tactics of computational study found in informatics, statistical analysis, data visualization, and "big data" approaches?
What new modes of publishing and scholarly communication do digital technologies make possible multimedia presentation, podcasts, video, visualization, etc. How do we understand the ethics and politics of the digital world surveillance, open source, net neutrality, sustainability, power?
Each week, students conduct readings and viewings, explore case studies, and complete online experiments. We pursue vigorous online discussion and convene in person for a seminar three times over the course of the quarter. Students pursue a final digital project in consultation with the instructor and in relation to individual interests and pursuits graduate work, professional interests, digital humanities methodologies.
This course may count towards the American Studies, Chicago Studies, Digital Studies, History, Religious and Ethical Studies, or Interdisciplinary Studies specializations in the master of arts in liberal studies and advanced graduate study certificate programs.
This course may also count towards the American Literature, British Literature, Comparative and World Literature, Film, Literature and Visual Culture, or Interdisciplinary Studies specializations in the master of arts in literature and advanced graduate study certificate programs.
But any interested graduate student may take the course as an elective.
Please note, this course is a hybrid which will meet in person on January 13, February 10, and March There is no available section. Intro to Graduate Study This course approaches literary studies on a graduate level.
We will examine the act of reading and literary interpretation, including various methodologies for producing and documenting literary criticism. We will also work to understand a range of literary theories and their suitable deployment through encounters with selected American realist, modernist, and postmodernist works by authors including Whitman, Twain, Cather, Dreiser, Hemingway, Eliot, Morrison, and DeLillo.
We will survey various schools of criticism including Marxism, New Criticism, structuralism and post-structuralism, gender and queer theory, cultural studies, and the New York Intellectuals.
This course is required of all MALit students within the first year of study.Dialect in Film and Literature: • examines the key differences between the handling of dialect in literature and film • draws on recent work in linguistics to examine a range of topics, including metalanguage, identity and authenticityAuthor: Jane Hodson.
Pontas is a literary & film agency internationally representing authors from all over the world. Conversely, television, film, and radio literature have been adapted to printed or electronic media. Other narrative forms [ edit ] Electronic literature is a literary genre consisting of works that originate in .
Film and Literature has 40 ratings and 5 reviews. This book is a wide-ranging introduction to the long history and provocative debates about the interact /5. This companion to the symbiosis between literature and film is acomprehensive collection of original essays that explore theaesthetics and mechanics of movie adaptation from the days ofsilent cinema to contemporary franchise phenomena.
The Routledge new edition of this classic book functions as an accessible introduction to the historical and theoretical exchanges between film and literature and also includes the key critical readings necessary for an understanding of this increasingly vibrant and popular field of adaption benjaminpohle.coms: 2.