Throughout his narrative, Kafka employs various symbols and metaphors in order to convey his theme about the isolation of modern man. In the allegory, Gregor, on some level, represents all of humankind. His job suggests that he was, in some ways, a beetle inside all along, just as all human beings are essentially beetles deep within. Although we may interact with other human beings on a very superficial level, the human condition deep down is marked by the deepest form of isolation and hunger for relatively non-existant human contact.
The Allegory in the metamorphosis refers to the unconscious; the internal feelings humans first have in order to satisfy their urges. His father shoos him away with a cane and while making hissing noises, and his mother runs away in disgust. His sister brings him food, cleans his room, and takes care of him.
She is the one he feels the strongest connection to in his family. He also loves that she plays the violin. Gregor wants to respond to his innate sexual desire for his sister, but he is trapped by his metamorphosis.
Gregor Samsa also had a questionable affliction for his mother, with whom he is the most frustrated. Though she is initially disgusted, his mother loves Gregor and wishes to help him. When his father started throwing apples at him to make Gregor go away, his mother intervened and begged for his life: There is somewhat of a competition between Gregor and his father for the attention of his mother.
Gregor is required by his father to be submissive towards him and repress his true feelings for his mother, which makes him miserable.
Gregor has all these impulses, feelings, and desires that he wants and needs to fulfill, but he cannot. The ego can fluctuate between thoughts of unconsciousness and consciousness. Gregor wishes he could come in contact with his family, especially his sister, and he thinks of this often.
Once he realizes these thoughts are useless, they, along with his feelings, slip into repression. His conscious thoughts slipped into the unconscious, or the id, where he needed to fulfill his urges.
Gregor has an absence of family values, or even a family at all.
His mother and father are both out of work, and expect Gregor to pay off all of their debt to his boss. Every decision Gregor makes is based off of his superego.
Every time he takes a chance and ventures out of his room, or out of his hiding place, is the result of his conscience, which lacks family union and love: He came out of his room to hear his sister play because he felt a connection, one he did not feel with his mother or father.
Gregor has been in a constant battle with his conscience, but at the end he finally agrees with it: That he was a burden to his parents, and the hurt he caused to his loved ones though they did not really seem to love himwas not worth the fight anymore.
The id, the ego, and the superego of Gregor Samsa correlate between his parents and his surroundings. Gregor has urges he needs to fulfill but cannot based on the containment of his job and societal rules the id.
He has to conform to society and attempts to find different ways to satisfy his needs the ego.allegory the metamorphosis analysis. allegory of the caveduck and cover s. essays comparing allegory of the cave to antigone. allegory of the cave plateau.
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Symbolism Franz Kafka uses symbolism in order to express many of the more complex themes in the novella, The Metamorphosis.
One of the main symbols he uses is the picture of the woman on the wall. The Metamorphosis fits the bill of an Expressionist work of art. It tells its story from an extremely subjective viewpoint, plunging deeper and deeper into Gregor’s singular confusion, pain, and sorrow.
Rarely do we venture beyond what he sees or feels.
Literary Techniques Kafka’s Metamorphosis is an existential allegory of human isolation. Throughout his narrative, Kafka employs various symbols and metaphors in order to convey his theme about the isolation of modern man. May 11, · The Metamorphosis is an autobiographical piece of writing, and it's been found that parts of the story reflect Kafka's own life.
It's well known that Kafka felt like an insect in his father's authoritative presence and even developed a stammer while speaking to him.