Successful movie director Salvatore returns to his rural Sicilian village after 30 years to attend the funeral of a dear friend and former mentor who advised him, all those years ago, to forsake his humble origins and journey to Rome to make a life for himself. The whole town has been affected by the war and, for many, the Paradiso has become a refuge from the impoverishment and indignity that surrounds them. A prankish altar boy, Salvatore or Toto for short played as a boy by Salvatore Cascio follows the local priest to a private screening at the Paradiso.
Sunday, February 2, Cinema Paradiso The film is the story about a Film Director recalling his life from his childhood forward, and all the different events that led him to this point of his life.
The film includes a number of classic stars from the time period such as; Phillipe Noiret, Enzo Cannavale and Antonella Atilli.
The film being a classic from the eighties is simple in its effects and editing, however the quality of the cinematography, script and acting makes this film memorable and full of emotion. From a scale of ten stars I give this film a score of nine which it deserves due to the emotion it is able to convey with the mere use of a camera.
A big time director receives a message from his mother, after many tries, that an old friend from his childhood has recently passed away and that his funeral will be the following day.
The story does not take place in recent time but instead is told in a flashback format with Salvatore the main character lying in his bed at night. The story is that of his life and his relationship with Alfredo the recently diseased friend who was his inspiration to get into the art of filmmaking.
Cinema Paradiso is a highly emotional story of how one person can influence our lives at a deeper level than we are even aware of. This film is full of things that make it great; from the script to the score of the music and even the acting is far beyond reproach. However there is one thing that makes Cinema Paradiso rise above all other films of the time and that is its simple use of cinematography in order to drive what the viewer sees, thinks and feels in the two hours of the film.
The film relies in the use of the camera in order to guide the viewer through the story instead of cheesy effects, which in the eighties were not as advance as today. Though the angle, movement and even omission of things in the frame of the shot the film creates an atmosphere where the audience can sense all the feelings of the scene even without dialogue.
One of the things that is apparent from the begging of this film is the introduction of new characters to the plot through the slow zooming out of the camera, we can hear the voices of the characters before we can actually see them.
When Salvatore first hears of the death of Alfredo the camera slowly zooms in into his face. Even though there is no dialogue in this scene, we can catch small things in his facial expression due to the closeness of the camera.
This way we can conclude from his shifting eyes and grim expression that Salvatore is deep in thought and sadness when thinking about this person from his past who we are yet to meet and so we can conclude that Alfredo was very important to him.
Even though the camera is instrumental to the audience learning what is going on inside a character it is also used for other purposes, often during the time where the main character is a child it is used to show the relationships of power in the town.
Very often strong characters such as the priest, his mother, the teacher and even Alfredo will be shown from a low angle and over the shoulder or from the point of view of Salvatore. These shots get the audience into the point of view of the protagonist and show the relations that he has with these other people and how, to him, they seem to hold a lot more power than he does.
Finally during the duration of the film the cinematography is essential to contrast the feeling of the surroundings with those of the protagonist. During much of the film long shots and narrow focus are used in order to get us to pay attention to a harsh contrast. Because of these and other reasons cinematography is an essential part of Cinema Paradiso which makes it stand out among the films of its time.
The stars of Cinema Paradiso really do a great job or working with the cameras and the director to convey the feeling of the film. Their acting is far beyond reproach and they can convey feelings to the audience without the use of words and instead rely heavily on their expressions and the use of the camera.
Out of all of the actors and actresses Philippe Noiret deserves a special mention. His role as Alfredo is not only touching and completely convincing, but he stands out in the minds of all the viewers as that role model that we all have or want.
Noiret does a great job of being that old, scruffy man that everyone in the neighborhood finds just a bit strange but at the same time draw us into his character and makes us love Alfredo because in the inside he is just an old romantic with a soft spot for the protagonist who we can even see as being his son.
For his role Noiret deserves a special mention in this review. In my overall opinion of Cinema Paradiso I must say that I normally do have difficulty watching older films because, like most of us born into the age of technology, I expect good effects and the latest CGI.
However this film was not hard to watch at all, instead it was hard to look away from. The brilliant use of the camera, the amazing acting and the decision to stay away from cheesy effects that at the time were the hot thing makes this film timeless.
Cinema Paradiso in my book gets an nine out of ten rating for captivating an audience even after twenty six years on the screens.Parents need to know that Cinema Paradiso is a Italian coming-of-age movie in which a young Sicilian boy is taken under the wing of an older man who teaches him about the love of movies and helps him find his purpose in life.
It's a charming tale of friendship and the love of movies that's the perfect introduction to foreign films for teens, despite some iffy scenes -- including a scene.
Mar 16, · There is a village priest in "Cinema Paradiso" who is the local cinema's most faithful client. He turns up every week like clockwork, to censor the films.
As the old projectionist shows the movies to his audience of one, the priest sits with his hand poised over a bell, the kind that altar boys use. At every sign of carnal excess - which to the priest means a kiss - the bell rings, the movie /5.
Feb 02, · Cinema Paradiso is a Italian drama film by director Giuseppe Tornatore. The film is the story about a Film Director recalling his life from his childhood forward, and all the different events that led him to this point of his life.
Cinema Paradiso: the little movie that could Twenty-five years ago, a nostalgic Italian film that flopped on release in its own country went on to become a worldwide hit. What was the secret of. Cinema Paradiso – watch the classic Italian film on demand Watch Giuseppe Tornatore's nostalgic film about a small Sicilian village cinema that took the world by storm 25 years ago Published: Cinema Paradiso offers a nostalgic look at films and the effect they have on a young boy who grows up in and around the title village movie theater in this Italian comedy drama that is based on 90%.